In the nave, the presence of square impost pillars alternating in an original rhythm with columns having cubic capitals creates a type of elevation which proved very successful in Ottonian and Romanesque art. Of basilical layout with opposed apses, the church is characterised by its symmetrical design: the east and west choirs are each preceded by a transept which protrudes substantially from the side aisles elegant circular turrets on the axis of the gable of both transept arms contrast with the silhouettes of the massive lantern towers located at the crossing. The harmony of the interior structure of St Michael’s and its solid exterior is an exceptional achievement in architecture of the period. Its interior, in particular the wooden ceiling and painted stucco-work, together with the treasures of St Mary's Cathedral – in particular its famous bronze doors and the Bernward bronze column – make the property of exceptional interest as examples of the Romanesque churches of the Holy Roman Empire. St Michael's Church was built on a symmetrical ground plan with two apses that was characteristic of Ottonian Romanesque art in Old Saxony. St Michael’s is one of the rare major constructions in Europe around the turn of the millennium which still conveys a unified impression of artistry, without having undergone any substantial mutilations or critical transformations in basic and detailed structures. The ancient Benedictine abbey church of St Michael in Hildesheim, located in the north of Germany, is one of the key monuments of medieval art, built between 10 by Bernward, Bishop of Hildesheim.
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